 |
BELO ZERO
| It was the end of the 1980's, I was working as an artist at a T-shirt retailer, and I wanted to make more money as an artist. Unimpressed with some of the new comic strips that were appearing in the newspaper, I decided to try my hand at a daily strip. I sent it to several syndicates who expressed no interest - just as well because a daily strip was more work than I was prepared for. So, here is the complete run of Belo Zero for what it's worth. |
 |
SHELTER
| In the early 1990s my interest in comic books returned and I began to buy comics again. I was impressed by a story written and drawn by John Byrne called "CRITICAL ERROR." It was a story told entirely in images with no text or dialog, and it inspired me to create my own. I spent a lot of time on this project, and while it's nowhere near as good as John Byrne's effort, I was rather pleased with the result. Here is the story I told. It's called SHELTER. |
 |
 |
 |
GENRE SHIFT
| This is the latest project I've been working on. It's an inter-connected series of four stories collectively called GENRE SHIFT. The entire story is available in a comic called WALLOP! Presented here is a sample of a few pages to give a taste. |
 |
ROCKETMAN
| In the early 1990s
my interest in comic books returned and I began
to buy comics again. I was impressed by a story
written and drawn by John Byrne called "CRITICAL
ERROR." It was a story told entirely in images
with no text or dialog, and it inspired me to create
my own. I spent a lot of time on this project, and
while it's nowhere near as good as John Byrne's
effort, I was rather pleased with the result. Here
is the story I told. It's called SHELTER. |
 |
 |
The REMAINZ
 |
 |
|
|
| |
|
 |
